Showing posts with label Varsity Theater. Show all posts
Showing posts with label Varsity Theater. Show all posts

Monday, October 9, 2006

APOCAFLICKS

The skit Apocaflicks: The Curse of the Unedited Movies was originally performed by BYU's award-winning comedy troupe Divine Comedy at the Varsity Theatre in the fall of 2006. Divine Comedy, performs several times each semester on the campus of Brigham Young University. We've posted the script below in original format with production notes. Does the end of the world somehow revolve around movie editors, CleanFlicks? Read below to find out. The script was penned by Ryan Crocker with contributions from the Divine Comedy players.


APOCAFLICKS: THE CURSE OF THE UNEDITED MOVIES
By Ryan Croker

With Paul, Matt, Trevor, Jono, Lisa, Taylor, Brian, Ryan, Laurel, and Sarah.

We open with a short video showing newspaper clippings detailing the rise and fall of Cleanflicks. We see the some text explaining what happened, i.e.

On July 6, 2006, a federal judge in Denver presiding over a lawsuit between CleanFlicks and 16 Hollywood directors ruled that CleanFlicks' editing violates U.S. copyright laws. The judge ordered CleanFlicks to "stop producing, manufacturing, and creating" and renting edited movies, and to hand all inventory to movie studios within five days of the ruling.

"It is with great regret that we write to inform you that CleanFlicks is going out of business soon. As you may have heard or read, after three long years of legal struggles, a judge in Colorado has ruled that we cannot sell or rent edited DVDs anymore. While we thought very strongly about appealing the decision, the potential costs and risks to the company, its customers and shareholders was just too great. Accordingly, we have agreed to close our doors after a brief winding-up period.
...We want to offer our sincerest apologies for not being able to provide you with edited DVDs...We appreciate your support of our efforts to provide high-quality, family-friendly movies, and we will try to make this difficult process of closing our operations as painless as we can for all our loyal customers."
In the background, the words fade, except the word “painless” which turns to blood. In the background we hear screams and cries, and we eventually see a Cleanflicks store that looks as if it’s been burned out and destroyed. Finally, we see the words 28 Days After. The video ends and Matt stumbles on stage, wearing pajamas as if he’s just woken up.

Matt: Yawn. Oh, my! I feel like I’ve been sleeping forever!

Matt walks to Center Stage.

Matt: Why is it so dark in here? Trevor! Did you forget to pay the electric bill again?

Matt looks around.

Matt: Hello? Well, let’s see what we have in the fridge.

Matt mimes opening a fridge. Trevor makes a noise offstage.

Matt: Trevor?

Trevor shuffles onstage gnawing on a severed arm. His makeup is that of the LIVING DEAD!

Matt: Trevor? What are you eating?

Trevor: Grrrrr. Arrrghh. (Trevor spits out what he was eating on Matt)

Matt: Oh no, you did NOT just shoot that green *crap* at me!

Trevor: Fooooood.

Matt: What kind of monster are you!?

Trevor stops eating and looks at Matt. He tosses the arm offstage.

Trevor: Braaaiinnnsss!

Matt walks across the stage, Trevor shambles along behind him.

Suddenly Sarah appears from the other side of the stage, walking like a Zombie. And dressed like one too.

Sarah: Brains!

Matt: What is up with these Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!?

Trevor: Brains!

Both start walking toward Matt. Matt cowers girlishly in fear. Suddenly, Paul and Taylor rush in, Taylor brandishing a severed arm. Paul is dressed is a weird fur/leather ensemble.

Paul: Hey freaks!

Taylor holds up the arm like a stick.

Taylor: Here boy, here boy!

Trevor takes the bait and gets excited about the arm. Taylor throws it offstage. All three Zombies look after it.

Brian appears from offstage, holding the arm.

Brian: Did someone just throw a severed arm at me?

Everyone just looks at Brian.

Brian: Seriously. That’s gross.

Suddenly, Trevor lunges for Brian.

Trevor: Brains!

Trevor’s momentum carries both him and Brian offstage. Sarah follows.

Paul: Hey you! Let’s go!

Paul grabs Matt’s arm and leads him offstage. Taylor follows. Once they are gone, Trevor returns to the stage with the arm in his mouth. When he sees no one there, he lowers his head, chagrined, and walks offstage. Paul, Taylor, and Matt come from the other side.

Matt: Thanks for saving me, but what was going on back there? My roommate was going crazy and he had some crazy friends, which is really crazy because Trevor doesn’t have any friends!

Taylor: What do you mean, “What was going on back there”? Where have you been for the last month?

Matt: Asleep, mostly.

Paul: What! How can you have been asleep for a month?

Matt: Well, I had mono…

Taylor: Ah.

Matt: Well,….uh…So can you explain to me what’s going on?

Taylor: Sure. Tell me, do you like movies?

Matt: I like Air Bud and The Legend Of Bagger Vance!

Taylor: I’ll take that as a yes.

Paul: Are you familiar with Cleanflicks?

Matt: Absolutely. Without them, I wouldn’t know what to think!

Taylor: Okay. Well, last July the U.S. Supreme Court made a ruling declaring Cleanflicks illegal. They were forced to close down on August 30. Exactly 28 days ago…

Matt: Sadness! But what does it all mean?

Paul: Don’t you see! Without Cleanflicks around to edit people’s movies anymore, people just started watching anything and everything. No one knew the danger, all of that violence and profanity, it filled people with rage, they started running around biting folks, and spreading the insanity. It’s a madhouse, I tell you, a madhouse!

Paul falls on his knees, crying.

Matt: How horrible! But without Cleanflicks around to tell you what you can and can’t tolerate, how did you both survive?

Taylor: Everyone turned into a zombie. We’ve had to take refuge in the Provo Public Library.

Paul: It used to be the original BYU, you know.

Taylor: We don’t have time for interesting historical facts. Let’s get moving!

Time passes. Somehow. As time passes, Brian reappears on stage, chased by Trevor and Sarah, he runs around as they chase him and he runs offstage.
Lisa, Ryan, and Jono appear from offstage. Jono is dressed like Bruce Willis in Die Hard.

Ryan: Hey guys. I’m glad you’re back. I didn’t expect you until Thursday.

Taylor: Tomorrow?

Ryan: No… the day AFTER Tomorrow. But it’s good that you’re here now. We’ve resorted to burning books to stay warm. We can’t stay here much longer.

Jono: Oh, I’m so glad you’re safe. He hugs Taylor.

Taylor: Knock it off, Willis! She shoves Jono away. Everyone, this is Matt. We found him when we were patrolling King Henry.

Jono: Hi Matt! He hugs Taylor. She shoves him away again. Where you from?

Matt: In West Philadelphia, born and raised, on a playground, where I spent most of my days.

Jono: Well, my name is Willis. I’ve been sent from the future to stop the zombies and kill Brad Pitt!

Everyone looks at each other, confused.

Jono: And then I was trapped in an office building at Christmastime!

Ryan: Okay, moving on… I’m Ryan, I work at the local S-Mart. I just found this book called the Necronomicon. It has a fascinating article about zombies. It says that zombies can be killed by removing the head or destroying the brain. What could that possibly mean?

Matt: How did you all survive?

Taylor: I’ve spent the last couple months catching up on DVD’s of 24 and Lost. I didn’t have time to watch any rated R movies.

Laurel: Rated R Movies! AAAAAAAAAAA! We’re all going to die!

Ryan: Settle down.

Lisa: Speaking with a Russian accent. I am from Russia. There, we have no movie ratings. In Russia, movie rates you! Since I don’t know what a rated R movie is, I can’t be affected by it.

Matt: You mean people in other countries don’t follow the Motion Picture Association of America! You don’t let them determine your righteousness?!

Lisa: Yes. Thank goodness for oatmeal!

Matt: All of my illusions are crashing down around me!

Laurel: I was just hanging out in a graveyard with my brother. We were doing genealogy. (ala 6th Sense) I research dead people.

Jono: How often do you research them?

Laurel: All the time

Paul: And as for me, as I’m sure you’re curious, my name is Dan. And since I’m probably the last Dan left in the world, you can call me the Omega Dan.

Matt: How did you get here?

Paul: I was an astronaut from the distant past! I crashed here only to find that in the future, you’d destroyed it all, you maniacs! You blew it up! Dang you, dang you all to fetchin’ heck!

Paul falls to his knees, crying.

Matt: to the others If he’s an astronaut, where are his astronaut clothes?

Paul gathers himself and gets to his feet.

Paul: When I got here, I went skinny dipping in Utah Lake. Someone stole my clothes. So I had to make do with this leather get-up you see here.

Laurel: Skinny Dipping! AAAAAAAAAAAAAAAAAAAAAAA! Laurel goes into hysterics. Jono slaps her. She slaps him back. Jono goes into hysterics.

Jono: AAAAAAAAA! Jono runs away.

Matt: Okaaaay. So what do we do now?

Taylor: Now, we survive. The world is overrun by flesh-eating monsters. There’s not much we can do. They’ve seen too many rated R movies. They’re not even human anymore, just like UVSC students. For now, let’s rest. Laurel, you, Willis, and the Omega Dan here take the first watch.

Time passes, Jono, Laurel, and Paul leave the stage. Everyone else sits down.

Ryan: This necronomicon says that we can destroy all the zombies, but I can’t make out what the book says. Klatu, Verata, Hall Ess Torm? I just don’t get it!

Just then, Jono, Laurel and Paul run in.

Laurel: Everyone! They’ve found us. I don’t know how, but they’ve found us! Run for it! AAAAAAAAAAAA!

The Two Zombies start walking across the stage. Everyone gets up and panics.

Ryan: Oh my gosh…(Trevor bites his hand off)

Matt: (punches Trevor, like Independence Day) Welcome to Provo!

Jono: I can do this. I can handle it. Let me handle it.

Matt: What?

Jono: No Matt! Don’t volunteer. I know you’re younger than me, but you have your whole life ahead of you! He turns to Taylor. I don’t want to close my eyes, I don’t want to fall asleep, ‘cause I’d miss you babe, and I don’t want to miss a thing.

Taylor: Willis, what are you doing? Let’s just run away. Can’t you see how slow and dimwitted they are?

By this time, the two Zombies are following each other around in a circle.

Jono: No! I can do this! Because I don’t want to miss a thing!

Taylor: Okaaaay…

Jono hurls himself at the bomb as everyone else runs away. Suddenly, the room goes dark, and on the screen, we see: EDITED FOR CONTENT. When the lights come back on, Jono and the Zombies are gone. Everyone else wanders onto the stage.

Matt: Wow! What an amazing getaway! That car chase was the best thing ever!

Lisa: In Russia, cars chase you!

Ryan: Too bad it was so gory, Laurel died, and I replaced my hand with a mixer. (holds up where his hand used to be, there is a mixer in its place)

Matt: So how did it get like this? Most people in the world don’t care about movie ratings.

Ryan: Once people got infected with all of the violence and profanity from unedited movies, they just went bezerk. At first it was just here in Utah County, but once one of the infected people bites you, you become just like them. Soon Utah was gone, and then the rest of the world.

Taylor: We do have a very aggressive Missionary program. rimshot

Matt: Is there anything we can do to cure them, to make all of this aggression go away?

Lisa: In Russia, aggression makes you go away!

Ryan: Lisa’s right, we can’t stay around here, there’s got to be somewhere where the scourge of unedited movies can’t be found.

Taylor: It’s too bad we can’t make our own movies. I’m, sure they’d be pure, wholesome and lacking in artistic qualities. Like “Church Ball” and “Charly”.

Ryan: I know! This word I’ve been trying to discipher! Halestorm! Halestorm studios. The zombies have something to do with that.

Taylor: Sounds like a plan, but Halestorm studios are way across town and we’re in enemy territory.

Matt: Dan, you’re an astronaut, right?

Paul: Yes, from the distant past!

Matt: Well, do you have any technology that could help?

Paul: Well, I was thinking that we could hole up in a shopping mall. Think of it, all the Cinnabon you could eat!

Ryan: No, don’t you have any astronaut powers or anything?

Paul: Okay, fine. I’m not an astronaut. I just came back from a Charleton Heston Festival. HestFest ’06. So much better than HestFest ’05. Seriously.

Matt: How does that help us?

Paul: I have these original Ten Commandment props. Holds up cardboard cutouts made to look like the ten commandments. And this can of soylent green. Now with 30% more people!

Taylor: That doesn’t help us at all. Let’s keep moving.

Matt, Taylor, Paul, Lisa, and Ryan run around the stage

Paul: Careful around the HFAC you guys, this place is crawling with the most vile, disgusting, horrendous creatures imaginable.

Matt: Cursed zombies?

Paul: Worse.

Ryan: Hey, you guys look, Vocal Point is putting on a concert.

Paul: No! The horror!

Lisa: In Russia, Point vocals you.

Taylor: Their songs of mindless optimism might cheer us up. Let’s listen.

Vocal Point comes on stage, it is Trevor, Jono, Sarah, Laurel

Trevor: (does crappy vocal percussion) Beat, box, beat, box, cymbal crash, etc.
Jono/Laurel: (does “In the Jungle”) A-wheem-a-wop, a wheem-a-wop
Sarah: (singing) In the Jungle, In the Jungle, the Lion Sleeps Tonight…

Matt: Man, Vocal Point isn’t good this year. I’ve heard tunnel singers better than this. Another rimshot

Taylor: Something’s wrong! This can’t be Vocal Point, there’s women in it!

The zombies suddenly throw off their robes and stand revealed as zombies.

Ryan: Zombies!

The zombies attack. Lisa is bitten by Trevor and dragged off the stage. Ryan is fighting with Jono, who he manages to fend off with his mixer/hand. Paul is tackled by Sarah. Matt and Taylor are poking Laurel with sticks.

Paul: Get your festering hands off me, you darn dirty zombie!

Paul throws Sarah off him and runs offstage. He appears seconds later with a gun, which he uses to kill Sarah. Seeing this, all the zombies scatter.

Taylor: Thanks, Omega Dan.

Paul: Thank the NRA!

Matt: Now that’s what I call a close encounter.

Taylor: And Lisa’s dead.

Paul: Meh.

Our intrepid survivors walk across the stage. Time passes, somehow. They find themselves at some ruins.

Matt: Where are we?

Taylor: This is, or was, the Halestorm Studios.

Paul: But how could it have been so damaged in such a short amount of time?

Matt: I think I have a clue. Look at these posters of the movies they were working on.

Matt steps forward, behind him we see a projection a ruined wall with movie posters behind him. Gladys Knight Rider, Quorum Leap, Saints on a Plane, Peyton Buhler’s Day Off, The Fast and the Furious: Provo Drift.

Ryan: How horrible! Gladys Knight Rider?

Matt: Quorum Leap?

Taylor: Saints on a Plane?

Paul: Peyton Buhler’s Day Off?

Matt: This one actually looks cool, The Fast and the Furious, Provo Drift.

Ryan: Are you insane? I bet you also listen to boy bands.

Matt: So?

Paul: What were they thinking?

Taylor: Guys, I think that this place was destroyed BEFORE the zombies started attacking.

Matt: But that would mean…

Paul: Don’t say it.

Ryan: That it was Mormon Cinema, and not Cleanflicks that was responsible for the zombies. People were so upset about the poor quality of movies that they had been producing that they became rage filled zombies.

Paul: You maniacs! You blew it up! Dang you, Mormon Cinema, dang you all to fetchin’ heck!

Matt: But if the zombie infection started here, that would mean…

Taylor: They’re here…

The zombies walk in. The music from Thriller starts playing and the zombies begin to dance.

Paul: Is there no one to deliver us? Let my people go!

Brian: Sorry I’m late. I came as soon as I felt like it.

Taylor: Who are you?

Brian: I’m the president of the USA! The BYUSA!

Ryan: What are you doing here? You planning to organize a dance or something?

Brian: We don’t tolerate sarcastic voices like that at BYU! Kill him!

Zombies kill Ryan

Brian: To me, zombie minions!

Paul: He controls the zombies!

Matt: Gasp!

Brian: The zombies needed a strong leader. They elected me. Now give me that gun!

Paul: You’ll take my gun when you pry it from my cold, dead hands!

Brian: My pleasure. (uses can of Whoop-A and kills people)

Paul: Western Family can of Whoop-A is made of people. It’s people! (dies)

Brian: (to Matt and Taylor) You can’t possibly win. Look at my motivational skills! In less than an hour, zombies from here will join others from around the world, and they will be launching the largest undead attack in the history of mankind. Mankind. That word should have new meaning for all of us today. Because of all the zombies. We will be united in our common undead interests. We will not go quietly into the night! We will not vanish…without a fight! We're going to live on as undead! We're going to survive! Today we celebrate our Zombie Independence Day!

Matt: Oh, you have SO got to die!

Taylor: Is there no hope? Why must we be consigned to this state of endless woe?

Matt: (EFY song, but he doesn’t sing) Like stones in the river, we are tossed and turned, bruised until the edges are gone. (some of the zombies start dying)

Brian: (covering his ears) What are those horrible lyrics?

Taylor: Matt, that’s it! Horrible EFY songs kill zombies, why didn’t I think of that before?

Matt: Because it was already used in the ending to Mars Attacks. (singing) Remember the promise, remember who it’s from…

Trevor: Ah, my ears, my undead ears!

Sarah: Groaaaaannnn!

Laurel: Make them stop!

Brian: Doesn’t anybody have any missiles left?

Taylor: Sing, keep singing!

Matt: (sings like Little Mermaid)

The zombies all die. Matt and Taylor are left standing in a pile of corpses.

Taylor: Well, Matt, it looks like it’s just you and me in this brave, new world.

Matt: Taylor, there’s something I’ve been meaning to tell you.

Taylor: Oh, what’s that?

Matt: I’m not like other guys…(puts on one glove and sunglasses)

The music from Thriller starts playing again.

GOOSH!

End.

Props:

Matt: Pajamas

Taylor: Normal clothes

Paul: A fur/leather outfit reminiscent of the original Planet of the Apes. He also needs a toy shotgun, some fake ten commandments, and a can of Soylent Green.

Ryan: A fake hand, a Necronomicon (This is a book made from human skin with a scary face on it. Find a picture from Army of Darkness to see what it looks like.) I also need a small, battery powered mixer or something to that effect that I can use to replace my lost hand.

Jono: He is dressed like Bruce Willis in Die Hard. This means a “wifebeater” and bare feet.

Lisa: A fur Russian hat would be nice. Otherwise, normal clothes.

Laurel: Normal clothes.

Trevor: Zombie Makeup

Sarah: Zombie Makeup

Brian: A Suit

Other: Jono, Lisa and Laurel become zombies halfway through, so we’ll need some quick zombie makeup for them. We also need as many fake arms as we have, and a fake leg. (I’ve seen those somewhere). Matt has the Can of Whoop-A.

Wednesday, February 23, 2005

VARSITY MAKING COMEBACK WITH CLEAN FLICKS

BY TAD WALCH / Feb 23, 2005
The Deseret Morning News

Venue to show only Hollywood hits that meet Y. standards

PROVO — Long lines for tickets were routine during the Varsity Theatre's heyday.

The Brigham Young University playhouse competed with Utah Valley theaters for moviegoers because of its fare — edited versions of R-rated movies such as "The Last of the Mohicans," "A Few Good Men" and "The Firm."

But the lines that snaked through the Wilkinson Student Center hours before tickets went on sale vanished in 1998 after movie studios and distribution companies pressured the theater to stop editing from the films what university officials and Varsity patrons considered objectionable content.

Hollywood hits are making a slow comeback at the Varsity this semester, but local theaters needn't feel threatened, and no one should expect watered-down versions of of R-rated epics like "Alexander," "Constantine" or even PG-13 smashes like "Million Dollar Baby."

"We received permission last fall from the administration to show movies again at the Varsity Theatre, but we will not accept any edited movies, we will not edit them ourselves and we must preview all the movies to make sure they meet BYU standards," said the man behind the renaissance, campus-involvement coordinator Ron Jones.

The theater has been mostly empty for the past seven years, first home to poorly attended movie classics and then to the university's International Cinema program.

Jones is rolling out "Dollar Night at the Varsity" slowly, with a single movie just one weekend a month. "Spider-Man 2" produced a sellout of the Varsity's 794 seats when it ran for three days in January. "The Village" drew solid crowds last weekend.

Students appear interested in an on-campus dollar theater, but the crowds will depend on the movie, said Rob Hickman, a junior from Washington, D.C. Hickman bought a ticket to "The Village" because he considers director M. Night Shyamalan a "modern Hitchcock."

Jones doesn't anticipate the return of long lines, but he does hope to recapture some of the magic of the old on-campus haunt.

He began his quest to resuscitate big events at the Varsity this winter, when it became a popular home for sneak previews of a genre that hardly existed in 1998 — the Mormon-oriented movie. The house was packed for free sneak peeks of "Saints and Soldiers," "The Work and the Glory," "Baptists at Our Barbecue" and "Sons of Provo."

Utah distributor Halestorm will screen its next release, "Suits on the Loose," at the Varsity next month.

Jones said the Varsity will continue to show one Hollywood hit a month, with "Napoleon Dynamite" in March and "Hidalgo" in April, and then move to two weekends a month next fall, when "National Treasure" and "The Incredibles" make their BYU debuts.

"We're looking for movies that don't need to be edited, and we're finding some," he said. "Our purpose is to provide clean entertainment for our students. Rather than trying to make money with our films, we want to provide students with inexpensive choices for on-campus entertainment."

Jones said a committee will rule out movies with objectionable sexual content, "continued use of the Lord's name in vain that is demeaning to religion," other inappropriate foul language or issues of homosexuality.

"That limits what we can show, but we've found some pretty good movies," he said. " 'The Village' is a very innocent story. It has no swearing. It has no sex. It's just a very interesting story with a lot of twists and turns."

BYU might be sticking to its standards, but it took two key philosophical shifts to clear the way for any mainstream movies to return to the Varsity.

First, the administration dropped a requirement that the theater be profitable, Jones said. The goal now is to use it to enhance campus life. Jones also persuaded several administrators to let him deal with Swank Motion Pictures Inc., the company that distributes movies to colleges and universities in the United States.

"The only way to do this is with the distribution company BYU had a problem with in the '90s," Jones said. "Some didn't want to work with them because they felt the company hadn't supported us" during the fight over editing.

A Swank executive did not respond to a Deseret Morning News request for comment.

Monday, October 29, 2001

VARSITY THEATER STRIKES BACK

BY KATHRYN GREEN / Oct 29, 2001
Brigham Young University's Daily Universe

The Varsity Theater will reopen--sort of. After half a semester devoid of midnight movies and the smell of popcorn in the Wilkinson Student Center, Student Leadership announced Monday it has come up with a solution to bring back movies to the 37-year-old campus icon. In an advertising campaign, the BYU Bookstore will screen one film a month on Friday and Saturday nights.

It's dubbed "Student Night at the Movies," and Student Leadership - which partnered with the Bookstore on the project - thinks it will rekindle campus life. "There's just a general feeling that something is missing at BYU without the Varsity," said Ron Jones, director of Student Leadership.

The BYU Bookstore will pay for the equipment and the Information Technology services to run the movies, Jones said. In return, the Varsity will feature Bookstore ads prior to movies and during intermission time, he said. Roger Reynolds, director of the BYU Bookstore, said the arrangement is only on a trial basis to see if it will promote the Bookstore. However, Reynolds said he personally would like to see the Varsity back in use.

"As an alumni of BYU, I grew up with the Varsity, and I'd like to see students enjoy it as much as I did," he said. The Bookstore will pay a fee for each night the movies are shown, Reynolds said.

As before, the Varsity will maintain BYU standards and promote Clean Flicks, Jones said. For example, the Varsity plans to show "Mulan" in January and "The Princess Diaries" in February, Jones said. However, movies are not going to be as abundant as they were in previous semesters, Jones said. Movies are only going to be shown on Friday and Saturday nights, and there will only be one movie each month.

The Varsity's movie format is also changing, Jones said. Instead of showing 35 mm films as in the past, Jones said VHS tapes would now be used. "It will be the same if not better quality in the show," Jones said.

The Varsity Theatre will kick off its comeback on Saturday with a free showing of "The Longest Day," a movie about D-Day. The show is to celebrate the 50th anniversary of the ROTC, Jones said.
Beginning Nov. 30, the theater will show "The Grinch Who Stole Christmas" in step with the approaching holiday season. Movies will cost $1 and popcorn and drinks will cost 50 cents, Jones said.

Tuesday, September 4, 2001

A REEL ENDING: CURTAIN CLOSES ON VARSITY

BY SETH LEWIS (Editor In Cheif) / Sept, 4 2001
Brigham Young University's Daily Universe

In the end, students voted on the Varsity Theatre's fate with their wallets, and the 37-year-old campus cornerstone lost. For all its nostalgia, mystique and long lines snaking through the Wilkinson Student Center, the theater will stop showing movies - yes, even the G-rated ones - beginning this semester.

When the theater quit screening edited films in 1998 because of potential legal trouble with production companies, ticket sales plunged, prompting school officials to rethink the theater's existence. "We wanted to let students tell us through the tickets, 'Do you still want this?'" said Carri Jenkins, Assistant to the President over University Communications.

Indeed, sagging interest in such films as "A Little Princess" and "Cinderella" doomed the Varsity, but Jenkins insists the school's decision was not solely dollar-dictated. Instead, she said, with the university increasingly squeezed for space, school officials thought the theater would be better suited for lectures, ward talent shows and comedy nights.

"Money is not the driving force here," Jenkins said. "It really is: How can we use this space best for our students?" Even more, the Varsity Theatre has outgrown its purpose as easy-access entertainment for students.

"At the time the Varsity Theatre was created, there were only a few movie houses in town," Jenkins said. "There were no movie rentals. It's a completely different world now than it was in 1964."

And with the proliferation of "dollar theaters" - such as Movies 8 in Provo - the Varsity lost its appeal as a cheap date. "There are so many choices in the valley for students and others to choose from," WSC director Jerry Bishop said.

Still, the Varsity remained wildly successful well into the 1990s filling one movie niche that never vanished: students' interest in edited R-rated films. In 1997, for instance, "Jerry Maguire" played to sold-out audiences for two weeks. Later that year, when the movie returned to the theater for the third time, students still waited in line for three hours for tickets. And lines for other rated-R flicks such as "Air Force One" routinely stretched outside the WSC.

But when Sony asked the university to stop screening its edited films, BYU balked. Sensing the potential for lawsuits, the school contacted production companies seeking formal contracts for editing films, Jenkins said.

Ultimately, nothing was finalized in writing. "Based on that," Jenkins said, "we didn't feel comfortable editing their movies." That was only part of BYU's anxiety.

Criticism had swirled for years about the moral juxtaposition of a school owned by The Church of Jesus Christ of Latter-day Saints showing films that often flouted church standards. "That was certainly something that had come up," Jenkins said. School officials then put the Varsity Theatre on a "trial period," Jenkins said, that would gauge student interest in clean classics and G-, PG- and PG-13-rated films.

The theater - which the university expects to pay for itself - failed to turn a profit, even after WSC administrators used focus groups and brought back popular films such as "The Princess Bride." "There is no question that the interest and attendance declined when the university made the decision to no longer show edited movies," Bishop said.

But the Varsity's viability is far from over. The theater will be booked days, nights and weekends, hosting all types of activities - and maybe even a class or two, Jenkins said. "It's not that it's going to be boarded up and shut down by any means," she said.

Saturday, August 1, 1998

VARSITY THEATER STOPS EDITING

BY MARY LYNN BAHR / Aug 1, 1998
BYU Magazine

When the Wilkinson Center opened in 1964, some of the first films shown in the Varsity Theatre were Don't Go Near the Water (1957) and The Wackiest Ship In the Army (1961), starring Jack Lemmon. A recent policy change has brought films from that era back to the Varsity: During September and October, BYU students enjoyed such films as The African Queen (1951), Rebel Without a Cause (1955), and Alfred Hitchcock's The Birds (1963).

Classic films are back because the Varsity is no longer editing movies, and few current films meet BYU's standards.

A policy change had been considered for some time, but the process accelerated in January, when Sony Pictures requested that BYU stop editing its films. The university immediately complied, pulling all Sony films from the winter semester schedule.

BYU receives movies through an intermediary distributor who had always known that films were edited before students saw them. "They knew that we were doing it and raised no objection," says Jerry L. Bishop, director of the Wilkinson Student Center. But Sony's request prompted administrators to contact other movie companies directly, seeking formal approval for contin-ued editing.

"Discussions with suppliers of films and film companies made it clear that BYU would not be able to secure formal approval to continue editing films," says Carri P. Jenkins, director of media communications. When formal approval could not be obtained, the university announced it would stop editing films beginning Aug. 4.

According to the new guidelines for movie selection, the Varsity Theatre will not show "movies containing nudity and/or sexual scenes (including lewd innuendos)" or "movies containing excessive (numerous, long running, specific, or extremely graphic) scenes of violence." The Varsity Theatre Film Review Committee may "exercise discretion and good judgment" in approving movies that contain profanity. Respectful references to deity and infrequent uses of "hell" and "damn" are permissible, but "other swearing, vulgarity, or profanity are not acceptable." No editing will be permitted.

The new policy also applies to BYU-Hawaii and Ricks College. "When BYU adopted the policy that we would not edit, that became a policy for all three schools," says Jenkins.

Responses to the policy change vary. Many students had appreciated the chance to view edited, big-name films. "The Varsity Theatre was a good place to go to see movies that we normally wouldn't be able to see, and for that reason it was a very attractive proposition to a lot of people," says J. Grant Robinson, a sophomore from Alpine, Utah, planning to major in theatre.

Some students expressed relief about the end of the editing policy. Tasi Young, a sophomore pre-med student from Salt Lake City, explains, "Even though I liked to see the edited movies, it always sat weird with me that someone else had to watch them to edit them."

Since editing is no longer permitted, the theater must find appropriate films in other ways. Classic films are the best option, Bishop says, though appropriate newer films will also be shown.

Dean W. Duncan, instructor of theatre and media arts, believes there is plenty of precedent for a successful repertory film program. The Department of Theatre and Media Arts sponsors a classic cinema course, and its public showings of classic films have drawn sizeable audiences. Duncan and other faculty from theatre and media arts support the university's decision to discontinue editing. A well-designed offering of older films could make the Varsity Theatre an effective educational vehicle, helping students "become more intelligent, empowered viewers," Duncan says. "I hope that we can move from this kind of escapist, passive, popcorn-chomping mode of viewing to a more active, citizenly, Christian form."

Though it caters to BYU students, the Varsity Theatre receives no BYU funds. R-rated films have always attracted the largest audiences, and without them the theater may struggle financially. Bishop explains, "One of our niches before was the fact that we were offering movies that were edited, and that was something they couldn't get in the community." Bishop is uncertain about how the student audience will receive older films: "It will be a matter of promoting, marketing, inviting people to come and try some of the old movies."

The new policy has already prompted some changes in marketing. As a first step, the Varsity cut ticket prices from $1.50 to $1. Also, though the Varsity has typically shown one movie per week, two movies are scheduled for each week of fall semester. Other marketing plans include two-for-one nights, theme weeks, and weeks highlighting a particular star, such as James Dean or Jimmy Stewart. The star approach seemed to work during the first weeks of fall semester, when the Varsity showed Audrey Hepburn films. According to Bishop, sales for Breakfast at Tiffany's matched average ticket sales from last year, and students packed the theater for Wait until Dark.

Ticket sales have fluctuated since then, but administrators remain positive. Jenkins is optimistic about the change: "We're hoping there's room for a different theater experience."